F You
October 19, 2007
Here's another little thing I threw together in a couple of days. And by that I mean it took me that long to finish it, but it wasn't like I spent all day on it. A couple hours on the drums and bass, a couple on the guitar and a little time just playing around with it. But I don't have a lot of consecutive hours to play around with and I also just get tired of these things and let them rest a bit. I did some guitar yesterday and then just decided to quit for the night. I felt like I'd be more fresh the next day. It didn't really work out that way, but I tried. ;) Anyway, on most of my little songs there's a lot of echo and/or reverb and other effects going on. I've even been putting some reverb on the drums when I felt like that's what I wanted. This time I decided to go bare bones and have minimal effects. There's a tiny bit of ambient reverb on the guitar and drums and a tiny bit of delay on the guitar. You can't really notice it unless you listen to the guitar without it. The only other effect is some wah wah. Oh and the title refers to the key. I used the Parker.
"The video is from 1988. The tune is from 2007. They don't go together at all. I don't care."
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Experiments in guitar recording.
Little nuggets of guitar playing for your (but especially my) enjoyment.
From the very beginning when I used to hear those solos on those old records I used to say: now here is an instrument that is capable of spewing forth true obscenity, you know? If ever there's an obscene noise to be made on an instrument, it's going to come out of a guitar. On a saxophone you can play sleaze. On a bass you can play balls. But on a guitar you can be truly obscene... Let's be realistic about this, the guitar can be the single most blasphemous device on the face of the earth. That's why I like it... The disgusting stink of a too-loud electric guitar: now that's my idea of a good time.
Frank Zappa
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